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Eli Litwin – “I’m Not the Only One” – single (2019)
The first track of a forthcoming EP, due (hopefully) Spring 2020. Musically and thematically, this song picks up, one year later, right where THE WORLD NOW left off.
Listen/Purchase: Bandcamp / Spotify / Apple Music / YouTube
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Eli Litwin – It was all he could do (2019)
It was all he could do is a 50 minute piece of free improvisation. Eli played drum set, guitars, bass and keyboard, 99% improvised, in that order. Post-production effects were meticulously applied afterwards.
Listen/Purchase: Bandcamp / Spotify / Apple Music / YouTube
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Eli Litwin – Covered in Metal – EP (2019)
A collection of covers I recorded from 2012-2019. Metal versions of some of my favorite songs by some of my favorite artists that made music before I was born.
Listen/Purchase: Bandcamp / Spotify / Apple Music / YouTube
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Eli Litwin – THE WORLD NOW – EP (2018)
THE WORLD NOW is an acoustic/electronic hybrid album that covers a number of genres in and outside of metal, and takes a very candid and blunt look at the state of the world.
Listen/Purchase: Bandcamp / Spotify / Apple Music / YouTube Lyric Video
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Wolf Kraft – Metal MIDIs Remixed
The compositions on this album were originally written roughly between 1999-2004. The intent was to create impossibly extreme metal compositions, with no plans to be performed by humans.
Presented here are drastically different mixes of those Metal MIDI’s, using all new sounds with Pro Tools plugins.
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Knife the Glitter (2017)
After eight long years, the debut and final full length album from New Jersey progressive metal instrumental trio Knife the Glitter finally arrived in December of 2017.
Listen/Purchase: 180-gram, 45 RPM, 2LP, in heavyweight double gatefold jacket w/matte finish from Husaria Records / Bandcamp / Spotify / Apple Music YouTube
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John Frum – A Stirring in the Noos (2017)
Darkly psychedelic and meticulously crafted, progressive death metal, with bursts of intense improvisation. Released on Relapse Records in May 2017. Featuring current and former members of Dillinger Escape Plan, The Faceless, John Zorn, Cleric
Listen/Purchase: Relapse Records / Bandcamp / iTunes / Amazon / Spotify
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Mr. Litwin – Metal Kidz Vol. 1 – EP (2017)
Metal Kidz Vol. 1 is the first EP in a series of heavy metal children’s music by Eli’s new solo recording project, Mr. Litwin. After many months of rocking his infant daughter to sleep while playing children’s music, he started hearing metal versions of the songs in his head. They became more and more detailed as the months went on, until he had no choice but to actually record them, and hear with his ears what was playing in his head at every bed and nap time. This EP is dedicated to all the metal loving moms and dads out there.
Listen/Purchase: Bandcamp
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Gun Muffs (2014)
The debut full length album from “doom jazz” duo Gun Muffs. Five tracks of crushing, Black Sabbath/Pantera-inspired metal grooves (played on a tenor sax, through a double octave effect, cranked through a bass amp), and free jazz freak-outs with metal intensity and chops.
Listen/Purchase: Bandcamp
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Deveykus – Pillar Without Mercy (2013)
An ecstatic trip through the world of Hasidic nigunim as seen through the intense lens of Doom Metal. Inspired by bands such as Earth, and Sunn O))), the music on this album presents classic Spiritual Melodies out of the Hasidic tradition in re-composed and re-arranged versions aimed at a heavy rock sound. This is music that blends the spiritual fire of Hasidic melodies with Albert Ayler and Dark Metal.
Listen/Purchase: Tzadik Records / iTunes / Amazon
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Normal Love – Survival Tricks (2012)
The long-awaited follow-up to their 2007 debut finds a much different Normal Love. The lineup has gone through several changes, members are now scattered between Philly and NYC, and the sound has evolved from a chamber-prog-metal onslaught into an uncanny no wave-industrial-new music cyborg. Still recognizable on Survival Tricks is the combination of complexity and chaos, brutality and wicked humor, reconstructed into a post-human sonic organism. —Shaun Brady / Philadelphia Citypaper
Listen/Purchase: Digital Album – ugEXPLODE / LP – Public Eyesore
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Eskia – From Below – EP (2011)
“From Below” is an exercise in lo-fi, home-recorded black metal. Eli began the recording process by improvising all the drum tracks in his basement. Then, almost as spontaneously, he wrote and improvised guitar & bass tracks to fit the drums, recording onto his laptop as he went. Lastly, he improvised vocals over the completed music. Free on Bandcamp
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Inzinzac (2011)
Inzinzac’s debut album, released April 2011 on High Two Records, is a brilliant fusion of progressive rock grooves, free jazz improvisation and eastern European moods. Meticulously balancing a thin line between melody and chaos, Inzinzac has a penchant for jagged angles and gradually expanding mazes of sound that obfuscate the boundaries of composition and improvisation. A brutal and muscular document, their first album captures the raw energy the power trio has nurtured through intensive live shows and demanding group development.
Listen/Purchase: High Two Records / Apple Music / Spotify
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Intensus (2011)
INTENSUS is a freely improvised extreme metal album that can be described in one word: INTENSE. The visceral instrumental performance is enhanced by each vocalist who brings his own brand of intensity to the album, making for a varied, yet flowing musical journey. Within this strong and unique artistic vision, songs range from short, violent bursts of grind and death metal, to crushing doom grooves, to complex tech metal, to experimental noise freak outs.
The first, self-titled INTENSUS album features vocals from Tommy Rogers (Between the Buried and Me), Robert Meadows (A Life Once Lost), Jesse Korman (The Number Twelve Looks Like You), Chris Alfano (East of the Wall / Postman Syndrome), Jerry Jones (Trophy Scars), Travis Weinand (Burden / Tetsuo), Evan Moore (Gypsy Wig / Birth Screams), and Ruston Grosse. Also featured on the album, Alex Nagle (Satanized / ex-Normal Love) and Jason Herrmann (Burden / Tetsuo) lend their guitar shredding skills for 2 incredible solos.
Listen/Purchase: Metal Blade Records / Spotify / Apple Music / YouTube
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Burden – “Moon” – single
12 minute epic doom track.
Listen: Bandcamp
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Burden (2010)
Burden’s self-titled debut full length album. Over 1 hour of brutal, crushing, epic, progressive doom metal. Recorded in one 24 hr session.
Listen/Purchase: Bandcamp / Spotify / Apple Music
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Mea’l (2009)
Mea’l is a completely improvised, shred metal/noise project featuring four stand-out members of the New York City and Philadelphia experimental music scene. Mike Eber and John DeBlase, of NYC progressive jazz/rock trio Zevious, team up with Philadelphia’s Nick Millevoi (Many Arms, Make a Rising) and Eli Litwin (Normal Love, Knife the Glitter), to systematically pulverize and reshape the fabric of the free-improv genre. Hypnotic, vicious and brutal, Mea’l is a 37 minute aural assault.
CD out of print. Available on Discogs. Message for MP3’s.
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Normal Love – Peel – 7 inch (2009)
“Peel,” the 7” vinyl single from Philadelphia six-piece Normal Love marks a departure and transition for the band. After the quintet’s 2007 self-titled debut earned high praise from such outlets as Signal To Noise, WFMU, Paper Thin Walls, Prefix, and others, the band returned with two new recordings.
The A-side, “Peel” – written by Normal Love member Amnon Freidlin – delivers throbbing industrial blasts that covertly morph into plastic shards of notes. The track is the first to feature new member Merissa Martignoni’s wailing siren-like vocal sounds alternating with punchy yet drawling lyrics. Normal Love transforms their instruments into hyper-focused textural noise makers that don’t only sound damaged in an ultra precise way, but sound damaged and really good.
Written by Boston-based composer Forbes Graham especially for Normal Love, “Kleinman” is a bold compositional statement filled with martial rhythms and energetic melodies. Guitars, bass, violin, and percussion slash and hack their way through dense complexity. “Kleinman” seamlessly integrates the chorales of long ago, teenage marching bands, the funky grooves that dominated ’80s pop, and the spirit of death metal.
Purchase: 7 inch and digital download from High Two Records.
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Time Is Like A Sword – Demo (2008)
Death/black/thrash/tech metal, featuring members of Normal Love and Burden.
Listen: Bandcamp
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Normal Love (2007)
Normal Love’s self-titled debut album features recordings of six compositions. The music generally has a loud and brutal approach with compositional influences ranging from African minimalism to serialism to death metal, though rarely within the same piece. Four of the band’s members contribute pieces in their own individual styles displaying the band’s diversity of influences and its ability to incorporate them into a unified aesthetic.
Listen/Purchase: Spotify / Apple Music / YouTube
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Knife the Glitter – Breakfast Time – EP (2006)
Knife the Glitter’s debut EP, “Breakfast Time”, was self released in 2006. This version of the band included vocalist Joe Capra. The five grindy mathcore songs on this release were written from 2003-2005.
Listen/Purchase: Bandcamp / Streaming Services
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Wolf Kraft – Singing in Open Water
“Chill” electronic music, created between 2001-2005, mostly using Fruity Loops.
Listen/Purchase: Bandcamp
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Wolf Kraft – Explorations
An assortment of electronic tracks in various styles, created from 2001-2006, mostly using Fruity Loops.
Listen/Purchase: Bandcamp
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Wolf Kraft – Metal MIDIs
“Crazy Metal MIDIs” that I wrote in Guitar Pro. I can’t remember the exact timeline, but I think I started writing these somewhere around 8th or 9th grade, and continued through most of college. So, roughly 1999-2004.
Listen/Purchase: Bandcamp
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